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Chicago

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★ . "In a touring production at the Kennedy Center — MacLeod brings sharp shoulders that look like they could chip granite. She's a real dancer, and she also gets the show's wry verve. One of the funniest bits is MacLeod's Velma jealously mocking the attention-getting vocal trills of Brandy's Roxie." — Washington Post, 

★  "As the jaded, tough-as-nails, energetically conniving Velma, MacLeod has the sinewy moves and the world-weary cool you'd expect of a showgirl who commits a double homicide. Together with Marroquin, they're fantastic. When they launch into 'My Own Best Friend,' they deservedly bring the house down." — Chicago Sun-Times

★ . "MacLeod roots Marroquin in the need for unchanging precision that is the choreographic styling of Bob Fosse. Marroquin, who seems to have planned nothing, brings MacLeod alive on a dangerous Tuesday night." — Chicago Tribune

★ . "MacLeod's lithesome dancer's body has the pliant suppleness of a pipe cleaner being bent into shapes that range from sensuous to the vulgar. She is also a major league Broadway singer. The two women work together as seamlessly as a hand fitting into a glove — bearing resemblance to the original Roxie and Velma, Verdon and Rivera." — Milwaukee Journal Sentinel — Damien Jaques

★ . "MacLeod makes a brassy Velma, belting out 'All That Jazz' in a voice dripping with jaded sophistication. With her skimpy black dress showing off her superbly toned arms, this Velma could be an advertisement for the fat-burning properties of crime

★ . "Terra C. MacLeod is another fine-tuned Chicago veteran. MacLeod's indomitable Velma is definitely not one to be crossed — which becomes all the more humorous whenever Roxie gets the upper hand over her." — St. Louis Post-Dispatch

★ . "MacLeod stresses the dry sarcasm and worldliness of Velma. She sings with character and style. Her dancing proves her a true Fosse stylist." — Houston Chronicle

★ .Call the fire department- Terra C Macleod is back in town. Not since she lit up the stage as Anita in The Arts club production of west side story have we had the chance to applaud this scorching talent.  You have until Tuesday to take in the touring production of Chicago at the Centre and marvel at the energy Macleod gives off as the merry murderess Velma kelly.  She's perfectly paired with Dejean, whose performance is just as big and brassy.  Together Velma and Roxie romp through gangster-era Chicago in a show so snappy and sexy that its well worth the Broadway-sized ticket prices. MacLeod and Dejean are masterful in their grasp of the many little gestures built into the show by the late Bob Fosse and Choreographer Anne Reinking. Vancouver sun- Peter Birnie

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